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Srdjan Ljubiša Stoiljković / FEBERGES’S EASTER EGG

27 March 2009 > 03 April 2009

...metamorphose from the iconography of destruction. The education which is being inflicted on us and our own cognition are propagating the past century as a century of wars; the war's primary characteristics is domination struggle, globally, regionally or locally, as in Balkan's case. The phenomenology of war takes a particular place in this region. The objects-symbols are functioning on many different levels. The hand granade's exterior change and its analogy with Faberge's easter eggs represent a try for the bomb to function in a field of art as well as a critic of the society in two directions: sacralisation of objects of destruction and turning them into symbols of power and desire, and the warning of the danger of elitism in art and the lost of its role in culture and society...

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